• BFF ’21: BELFAST

    Belfast’s first scene establishes the sense of community that preceded the violence the broke out in Belfast, 1969: In one immaculate long, the camera swoops through a street, following people who are shouting for a Buddy (the incredibly photogenic Jude Hill), a nine year old boy who lives on the street. The amount of people…

  • BFF ’21: THE WAR BELOW [2021]

    J.P. Watt’s debut feature The War Below is a creative and unique addition to the genre, depicting the ugliness of World War I trench warfare with emotion and visual grit. Working with a micro-budget of 600,000 British Pounds, using a true story based in World War I proves to be a smart choice as we…

  • BFF ’21: THE ELECTRICAL LIFE OF LOUIS WAIN [2021]

    Benedict Cumberbatch shines far brighter than he ever has in this strange fantastical film as he revels in his role as the titular character in Will Sharpes’ The Electrical life of Louis Wain: a real artist who made his name painting pictures of cats. Lot’s of them. The film is split neatly into three acts covering…

  • British Film Fest ’21: LAST NIGHT IN SOHO [2021]

    Last Night In Soho is surely one of the most anticipated films of this festival, given baby’s Driver’s immense popularity and the fact it started screening in the US last month, before this festival had kicked off. The screening I was a part of was certainly sold out. This unique addition to the horror genre…

  • LAST AND FIRST MEN [2020]

    As this film finishes, one feels that no words can justly convey the unsettling beauty this unique piece of art possesses. Directed by the late Icelandic composer Jóhann Jóhannsson, it may have been considered unfinished at the time of his death but the editing work is seamless: you’d never guess it wasn’t considered a complete…

  • French Film FESTIVAL: DEERSKIN (LE DAME) [2019]

    Quentin Dupieux has never been one to shy away from absurdity, most of his work lavishly bathing in it as if there is nothing strange to be seen. This is the attitude that the film and it’s protagonist absorb: despite the consistent weirdness, both the film and characters never suggest that anything at all could…

THE MEDDLER [2015]

The-Meddler-2016

Directed by Lorene Scafaria

Written by Lorene Scafaria

Starring: Susan Sarandon, Rose Byrne, J.K. Simmons


Dedicated to my beautiful Mother.


According to my taste is movies, this is a film I should have hated. Well, okay, perhaps hate is a bit strong, but this is a romantic comedy at its core; the one genre of film I struggle with the most (let’s forget about superheroes for a while, I think we need to, at least for my sanity’s sake). But the simple premise of the film was very familiar to me.

A loving mother, Marnie, has recently lost her husband, and is coping with this with an oddly happy-go-lucky attitude. She is someone who says things like her daughter is her hobby – The Meddler is such an apt title for this film

My Mum can be a meddler. I sometimes get angry and frustrated, feeling she has interfered too much. Why? Because she had put a roll of glad-wrap away in a kitchen draw. Such a silly thing to get annoyed over!  This film then really taught me to be gracious, to appreciate all the wonderful things my mother does to make life easier for her son.

the-meddler-susan-sarandon-rose-byrne

In the film, it is her daughter Lori that snaps and becomes frustrated at her mother’s meddling, and it all felt so familiar. Exaggerated of course, but still familiar. From here, the story is 90% predictable and it ends how you knew it would an hour previous. But for me, that was okay. Because as far as I was concerned, I was watching my mother on screen, the nicest, most caring and giving person I will ever know. This is exactly who Marnie is, and when Lori leaves town for New York to shoot a pilot for a television show, the mother begins meddling in her daughter’s friends’ lives, an attempt to fill the void that has been left by the departure of her daughter.

Marnie eventually visits Lori in New York and finds out that the show that her daughter has written hits close to home. But the two have some fun, and during a scene in their hotel room, Marnie asks her daughter how to take a selfie. Lori’s immediate reaction is priceless. Of course, Marnie has met someone, a solid J.K. Simmons sporting a terrible moustache, a man who isn’t a cat person, or a dog person. His babies are his chickens. Seeing these two meet touched me deeply, as it is the sort of happiness that I wish for my mother, who is still single after divorcing from my father when I was around four years old.

med


Great acting all around, a fun soundtrack, and a fantastically bright colour palette round out this movie that I simply should not have liked. But due to the personal connection, suddenlyfive beer(1) all the faults that I find myself picking in this genre of film vanished. Yes it is predictable, but more importantly it is enjoyable. And funny. However, if I take away the personal connection, this of course is not a movie for everyone. For those who like romantic comedies however, this is an underrated gem.

One beer short of a sixer.

5/6

 

 

Save

Save

Save

Save

Save